Without further ado, here are the top 15 music tracks in our library for YouTube intros and outros. Downbeat-or downtempo-music, while often emotionally resonant or soothing, will do the opposite of exciting your audience. Intro music primes your viewers for your show, which means that your music should keep their attention and get them excited for what they’re about to see next. No matter what mood you’re going for, there’s one guideline for choosing intro music that you should always have in mind: Keep it uptempo. Are you covering dramatic news and current events or delivering industry hacks and pro-tips for a tutorial series? The track you choose will depend on this question. To pick the right music first, ask yourself what your objectives are. Using the same music-or very similar music-for your outro can also round out your show and give your viewers closure until your next episode.
OBSCURE 2 INTRO SONG SERIES
Alfred Hitchcock defined a successful film as a series of good scenes connected by no bad ones.
A fitting intro serves as the perfect hook for your viewers while also creating the right mood. Silly Thing is close to perfect, clocking in at 2:47 without a wasted second.
Well-suited theme music is essential for branding your YouTube series and for setting the tone. (The teens’ note to the assistant principal reads, “What we found out is that each one of us is a brain, and an athlete, and a basket case, a princess, and a criminal.Are you on the hunt for compelling intro music for your YouTube series? It can be hard to find that one perfect song, especially after all the work you’ve put into cultivating your channel, which is why we’ve some of our favorite royalty-free music tracks from the highest-rated files in our library. In the context of the movie, “Don’t You (Forget About Me)” plays as a lover’s forget-me-not-but equally as plea to those newly discovered selves. We watched the kids transform before our eyes, but we simply didn’t know if any of these newfound identities would stick for longer than a weekend. “Don’t You (Forget About Me)” was the perfect match for John Hughes’s gorgeous teen study The Breakfast Club. Can you honestly say you’ve never air-guitar-ed along to those opening two chords? Or yelped along to Jim Kerr’s outrageous “Hey! Hey! Hey! Heeeey!” chant that immediately follows? Yet part of the song’s tremendous power is the way it keeps pulling away just as its excitement peaks: “Will you walk away?” murmurs Kerr as the song faux-fades, before its final climax. The famous orchestral riff incorporates a sample from an obscure instrumental version of the 1965 Rolling Stones song The Last Time by Stones producer. There are some truly great songs on this list, but none that strike at your emotional jugular quite the way “Don’t You (Forget About Me)” does-right from the get-go. Written by Michael Chen, Brent DiCrescenzo, Andrew Frisicano, Sophie Harris, Oliver Keens, James Manning, Tristan Parker, Amy Plitt, Joshua Rothkopf, Hank Shteamer, Matthew Singer, Steve Smith, Sarah Theeboom and Kate Wertheimer. And in order to keep it strictly ’80s, we limited the list only to songs actually made in the decade – so no ‘Stand By Me’ or ‘Day-O’, as much as we’d want to include them. Here, though, we present the ultimate, canonical, indisputable ranking of the most radical songs from ’80s movies. But what are the absolute best songs from ’80s movies? Everyone has their personal favorites: the ones that instantly conjure memories (or at least fantasies) of spraying on Aquanet, throwing on some spandex and heading to the multiplex in your Delorean.
OBSCURE 2 INTRO SONG MOVIE
Suffice to say, an ’80s movie can’t be considered a true ’80s movie if the soundtrack isn’t banging. And shoot, don’t even get us started on Purple Rain.
Or Michael J Fox skating through Hill Valley without Huey Lewis crooning about ‘The Power of Love’. The whole album is perfect, his best record. Heres his version of Stevie Wonders 'Creepin': Peter Allens 'Six-thirty, Sunday Morning,' from his TAUGHT BY EXPERTS album. Or Ghostbusters without Ray Parker Jr.’s theme song. Kenny Rankins album INSIDE, from 1975, has lots of obscure, groovy songs. But try to imagine any John Hughes film without the new wave hits that accompanied them. Once again it was remade (or at least vocals added) to create the 2007 (or 2008 depending on who you talk to) version by Enur feat. The saxophone part is actually from a song produced in 2003 called 'Calabria' by Rune.The song was later re-done as a Hard House track by Drunkenmunky (the first version I heard).
Sure, the 1960s has a handful of songs still used to signal ‘ the ’60s, maaaan ’, and the 1990s produced some classic soundtracks. Hell yeah But its time for me to lay down some facts. No decade combined music and movies quite like the ’80s.
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